Wednesday, January 11, 2017

Postcards from my childhood

Who doesn't adore a load of loveable lizardy dinosaurs dragging their tails through a bland, generic desertscape - especially when said dinosaurs are endearingly retro, carefully sculpted models? Back in the day, Toyway (known now for filling the Natural History Museum gift shop with awful tat) produced a range of postcards with just such a subject matter...and here are some of them.

Monday, January 9, 2017

Lady with an Archaeoceratops

Lady with an Archaeoceratops ~ Watercolour with touches of gouache, approx. 138 mm. diameter

Happy New Year! May 2017 be kinder to us all.

I promised our regular reader, Andrew Stück, that I would post this piece, after he commented that it's been a while since my saurian incongruities were last seen on the blog. So here we are! 

Monday, January 2, 2017

This Mesozoic Month: December 2016

Happy new year! This month, after 90 installments over five years, Mesozoic Miscellany has evolved into a new form. The intent of these round up posts will be the same, but now they'll have a more fitting name: This Mesozoic Month. As the name implies, I plan on keeping to a monthly schedule so I can include fresher, and hopefully more, news of the mesozoical persuasion. 2016 ended with a bang, so let's see what made the rounds on blogs, podcasts, and the media.

In the News

Juvenile coeleurosaur by Chun-Tat Cheung, distributed with press materials for the Current Biology publication
The big news in December, and let's face it, 2016 as a whole, was the discovery of a fragment of a feathered theropod tail trapped in amber. With this specimen, we have physical evidence of how the tail feathers of non-avialans attached to the spine. It's the kind of paleontology story that hits the media with a big splash. I know I've had a few people ask me about the story, and not just on-line. Read more from Andrea Cau at Theropoda, Liz Martin-Silverstone at Musings of a Clumsy Palaeontologist, NatGeo, Daily Kos, The Verge, CNN, Science, Washington Post, New York Times, the Guardian, and NPR. As a nice little surprise, Brian Switek popped up on The Skeptic's Guide to the Universe to chat about this and more.

And that's not all we've received recently from Burmese amber. Also published this month was the discovery of an Aleocharine beetle dating back to 99 mya, almost doubling the previous oldest specimen of the family. These rove beetles are parasites of eusocial insect colonies, and this specimen is contemporaneous with the oldest known eusocial termite colony. Tidy! Read more from Entomology Today.

One of the happiest pieces of news in December was President Obama's creation of Bears Ears National Monument, protecting the vital paleontological resources within, and in part Robert Gay is to thank. Read his story on how he advocated for the protected status.

Body fossils of cephalopods are exceedlingly rare, but at Laelaps, Brian Switek has the story of a beautiful Jurassic octopus, Proteroctopus ribeti.

A biomechanical study of the skulls of Camarasaurus and Plateosaurus finds that the former was capable of stronger, more efficient bites, while the latter was adapted for closing its jaws quickly, suggesting that greater efficiency in feeding could be part of the story of how sauropods got so large. Read more from Jon Tennant at the PLoS Paleo Community blog.

More news from the prehistoric chomping beat: a new study finds that Didelphodon had the strongest bite force relative to body size of any mammal yet studied. Brian Switek tells all at Laelaps.

During the Turonian, the Earth was a freakin' sauna. At a North Pole that never got much colder than 57° F/ 14° C, a newly described bird called Tingmiatornis arctica dove for its dinner. Read more from the New York Times and Scientific Reports.

New research as part of the Chicxulub drilling program has found that soon after the great asteroid impact 66 million years ago, the phytoplankton Braarudosphaera and dinoflaggelate Thoracosphaera colonized the impact site. Read more from Sarah Kaplan at the Washington Post.

Around the Dinoblogosphere

Writing for the Inverse, Jacquelyn Ronson has penned a terrific paean to paleoart. She speaks with paleontologist Don Henderson, who recently worked with Bob Nicholls' famous "Double Death" piece, in which two mighty Carcharodontosaurus play tug of war with a sauropod. "For Henderson, bringing these extinct creatures back to life through art isn’t secondary to the science, it’s fundamental to it."

The Dinosaur Toy Blog recently reviewed a rather impressive - and pretty large - Amargasaurus figure.

Shaena Montanari was interviewed on the Female of the Species podcast, discussing her Dinosaur Doctors outreach efforts, writing science for Forbes, and more.

Rebecca Groom recently added a pretty awesome Ichthyosaurus enamel pin to the Palaeoplushies shop! Here's where to pick one up.

For Saurian's final Devlog of the year, the team shared their revised Triceratops sculpt and Chris Masna's design for Brachychampsa. I can't wait to play the game and hunt inadvisable prey animals.

At the PLOS Paleo Community blog, Tara Lepore writes a guest post about a gathering celebrating the role of women in the SVP at the Society's 2016 conference. She writes, "Especially enlightening was the idea that although women comprise roughly half of the SVP membership, women do not always tip the scales in terms of invited talks." I've linked to it before, but also be sure to read Victoria Arbour's post on this very topic at Pseudoplocephalus.

Poor, neglected Parksosaurus. Justin Tweet writes about the also-ran ornithopod at Equatorial Minnesota.

The large troodontid teeth that have been found on Alaska's north slope offer a tantalizing glimpse at a prehistoric environment in which relatively giant troodontids stalked snowy forests. Writing for Earth Archives, Pete Buchholz offers a great summary of what we know about the fauna of the Prince Creek Formation. Beautiful troodontid art by Julio Lacerda, as well.

Also at Earth Archives, Dean Lomax writes about the value of old museum collections to science. He tells the story of the description of Ichthyosaurus anningae, notable not only for being named for Mary Anning but for also being the first time we've possibly seen sexual dimorphism in an ichthyosaur species.

So, eight years ago, Cracked wrote an article that's pretty much Palaeofail 101, stuck hopelessly in the tar pit of awesomebroism. Responding to a recent reader question at Tumblr, Albertonykus ably and gleefuly dissects it. The original article may be an oldie, but the takedown is fun and informative.

At ART Evolved, Herman Diaz is back with a new pair of book reviews. this time, it's Dinosaurs and their Living Relatives and the unfortunately BANDit-friendly Outside and Inside Dinosaurs.

In a fascinating post at Waxing Paleontological, Zach delves into the silesaurids, providing great context for why Silesaurus was such a lil' weirdo in 2003 and how further discoveries since then have shaped our understanding of these critters.

Brian Engh has a brand new set of illustrations for the Bureau of Land Management, depicting the dinosaurs of the Copper Ridge tracksite near Moab, Utah. Brian's made another terrific video explaining the site and his thinking behind the sauropod trackmaker. Check it out at his site. Matt of SV-POW featured it, as well. Part 2, featuring the theropod trackmaker, will follow soon.

And speaking of tracks, it's "Name That Track!" The hottest ichnology-based game of the year, hosted by Lisa Buckley.

Mark Witton was one of the presenters at a recent workshop entitled Popularizing Palaeontology. At his blog, he expounds on one of the recurring themes of the event, concerning the positives and negatives of the long shadow dinosaurs cast over palaeontological outreach as a whole. His conclusions certainly line up with what I've observed in the instances when I've talked dinosaurs in public.

Crowdfunding Pick

This month, I'll suggest sending some support the way of Thagomizers, Scott Potter's video series that explores the intersection of science, art, and culture in how we understand dinosaurs. They've got a Patreon page for ongoing support, and they're getting close to one of their $20 monthly goal, which would allow for an Adobe AfterEffects subscription to help with production. If you've not seen any of their videos yet, here's one of their to show the quality of work.

Paleoart Pick

DeviantArtist Kirby, AKA KirbyniferousRegret, is building an impressive body of work. This recent Eoraptor family illustration is a masterpiece, with loving attention to textural detail.

Eoraptor Family by Kirby, used here with the artist's permission.

Follow Kirby's work on DeviantArt and Twitter. And remember, sweethearts: don't steal art!

Tuesday, December 20, 2016

Vintage Dinosaur Art: Discovering Dinosaurs

Don't you love it when an otherwise quite run-of-the-mill old dinosaur book hides one or two remarkable secrets? The vast majority of Discovering Dinosaurs is as predictable as anything; it's 1960, so here are some green-and-brown Charles Knight rejects, statically positioned about the place and staring vacantly into the middle distance like they've just been forced to listen to someone explain how carbon dioxide couldn't possibly be a greenhouse gas because 'it's plant food'. However, there's more to Gustav Schrotter's illustrations than is first we shall see.

Many thanks yet again to Charles Leon for sending me the scans you see here (and more besides). You're quite the wonderful bloke.

Wednesday, December 7, 2016

Vintage Dinosaur Art: Animals of Long Ago

It seems that in the 1950s and 60s, there was a real explosion in the popularity of dinosaur books for kids. Perhaps it had something to do with broader pop culture trends of the period, such as the sci-fi B-movie boom. Although the Dino Renaissance had yet to take hold, there was a noticeable shift in tone - where dinosaurs were previously seen as evolutionarily unimportant, authors suddenly took great relish in detailing the huge size of their jaws, their flesh-tearing ferociousness, the sheer terror they must have induced in their prey. Animals of Long Ago, published in 1965, is a seminal example of a book from the period; the illustrations are somewhat half-hearted, er, homages, but the text is often rip-roaringly good. Many thanks to Charles Leon for sending me this one!

Monday, December 5, 2016

Mesozoic Miscellany 90

Time for another Mesozoic Miscellany, gathering cool news, blogging, art, and more from around the web over the last month.

One brief note about LITC first. If you're viewing us on the browser, you'll notice that we've added some ads in our sidebar via Project Wonderful, in addition to continuing our tip jar. All proceeds from this will go to moving us over to WordPress and covering related hosting fees. Project Wonderful is a platform particularly popular in the webcomic world. It works by auctioning off ad space and the value of our boxes depend on traffic here as well as click throughs, so don't be bashful about clicking ads that strike your fancy! I'm trying to keep anything too obnoxious off the site. I was pretty happy to find Ashfire Moon through ads, which features some innovative comics, including a "Lost World" inspired tale called "The Heart of the Hollow World."

With that out of the way, on to the dinosaurs!

In the News

Illustration copyright Studio252MYA/ Julio Lacerda
As featured in our 2016 gift guide, Studio 252mya has opened its doors. A project from the team behind Earth Archives and Pteros, the studio sells goods based on the artwork of their international roster of paleoartists and plans on launching an image licensing service soon. Check 'em out now.

Meet the muddy dragon, a new oviraptorosaur out of China. Read more at Science and from Brian Switek at Laelaps.

A new paper described two new late Triassic dinosauromorphs from Brazil, the lagerpetid Ixalerpeton polesinensis and early, carnivorous sauropodomorph Buriolestes schultzi. Read more from Jacquelyn Ronson for the Inverse and Joe Bauwens at Sciency Thoughts. Nice paleoart from Maurílio Oliveira, as well!

Around the Dinoblogosphere

At the Canadian science communication blog Science Borealis, Liz Martin-Silverstone and Raymond Nakamura write a nice article on the practice of paleoart, speaking with Mark Witton and Danielle Dufault.

The Cleveland Museum of Natural History recently hosted Dinofest, and Ashley Hall covered the event at her tumblr, Lady Naturalist.

The nostril openings - or nares - of ceratopsids are rather remarkable. Darren Naish writes about their possible explanations at TetZoo, inspiring a rash of paleoart (unfortunately not organized by any hashtag, so you kind of just have to search it out). Also, don't miss Darren's post on his new book with Paul Barrett, Dinosaurs: How they Lived and Evolved.

At Pseudoplocephalus, Victoria Arbour summed up her experience at SVP 2016 with lots of great photos from the museum, auction, and more.

Sarah Gibson has been writing about the Top 10 Open Access dinosaur descriptions of 2016 at the PLoS Paleo Community Blog, With recent posts on Spiclypeus shipporum and the delightfully named marsupial "lion" Microleo attenboroughi.

Head over to Beyond Bones to read about really, really, really old poop.

The Tetanurae Guy writes about recent travels, including photos from Dinosaur Ridge and its accompanying museum near Denver.

At the Smithsonian National Museum of Natural History's Digging the Fossil Record blog, Antoine Bercovici writes about his time out in the field as part of a team mapping sites associated with the K-T Boundary in southwestern North Dakota and southeastern Montana.

At the RMDRC Paleo Lab blog, Anthony Maltese writes about how the lab acquired a fairly complete specimen of the rare Cretaceous turtle Chelospargis and cast a reproduction of the skeleton.

Michael Barton of the Dispersal of Darwin blog writes about Gregory S. Paul's new second edition of the Princeton Field Guide to Dinosaurs.

Crowdfunding Pick

I've written about the Virtual Museum of Natural History in the past, and figured it would be good to do an update. Their crowdfunding model was changed to a flexible goal, so the fundraising is ongoing. Dave Marshall sent out an email update on the current progress, and it sounds like a lot of fun. He writes:

The technology behind the V-NHM is now complete and we’ve even been able to take a tour around! The user interface is so intuitive to use and loads of fun to just run around with your friends; in fact, one of our trial runs ended up as a 30-minute-long game of chase! It just goes to show that the V-NHM is inherently fun, even before we’ve placed any content in the cabinets. With the website complete, the focus over the coming months will be on curating content, filling cabinets and weaving a narrative between exhibitions. We hope to be able to launch the museum early in 2017.

To contribute to the campaign, head over to Crowd.Science.

Paleoart Pick

For the second year in a row, Raul Ramos pumped out an amazing volume of beautiful paleoart during #DrawDinovember. Hard to pick just one to feature, but I particularly love this backlit Protoceratops.

Protoceratops andrewsi by Raul Ramos, used here with the artist's permission.

Follow Raul on Twitter, Facebook, DeviantArt, and at his site, which promises a store soon.

Saturday, December 3, 2016

The Case of the Stolen Tylosaurus

Do the words "giant Antarctic mosasaur" get your attention? Sure they do. Why wouldn't they? Meet Kaikaifilu hervei. Everything Dinosaur has the story, or read Rodrigo Otero et al's original paper for the princely sum of $37.95 at ScienceDirect.

Unfortunately, the figure in the paper is yet another case of art theft in the scientific literature. And this time, LITC's own Asher Elbein is the victim. Compare the images below.

Figure on left from Otero et al 2016; figure on right from Asher Elbein's DeviantArt account, dated October 16, 2012. Images used here under fair use.

This is plainly an incidence of art theft. It seems that at some point, someone posted Asher's original to Dinopedia, changing the license to a creative commons license (hopefully by the time you're reading this, the site has responded to Asher's DMCA takedown notice by removing it). Then Otero or someone working on the paper found it one one of those two sites and traced it (looks like it is a slightly modified Illustrator auto-trace) without credit or compensation.

Scientists, you cannot just take art for your papers. Asher deserves to be compensated and credited in this paper. How do you people expect artists to produce the work you clearly depend on to illustrate your research if you're not willing to do the bare minimum to credit and compensate?

Some folks haven't liked it when I've said it in the past, but I'll say it again: there is no paleontology outreach without paleoart. Own up to it.

Update: 3pm EST, December 4, 2016

Well, this post certainly inspired conversation. In fact, it is by a long stretch the most commented upon post in LITC history. I appreciate all of the comments, critical and supportive.

There are some takeaways.

First of all, it's clear that the authors of this paper did not willfully infringe Asher's copyright. No one was trying to rip him off. In fact, Rodrigo Otero left a lengthy comment which explained how this happened, but it has since been deleted (more on this below).

So, the most charitable explanation is that the author(s) were unaware of what a Creative Commons license entails - at the very least, it would require attribution, therefore a misattribution would imply an understanding of the license. Since there was no attribution, there's a clear misunderstanding of ethical image use.

This is a misunderstanding many people share. It is not limited to the authors of this one paper. So, in an effort to add to the conversation in a productive way, I'll be putting together at the very least an "Introduction to Creative Commons" post, and perhaps a broader "Image Use Best Practices" post as well, with the goal of dispelling misunderstanding about exactly what a CC license is, and what responsibilities it entails. I have no illusions that this would fix the problem, but it may help. Note that I can be charitable and also call this stuff out. There's really no excuse for not understanding image use guidelines.

I allow that the image was used in a graphical abstract, if not the paper itself, though I had no way to peer over the pay wall to know that. Whether in a graphical abstract or a paper, the point remains. I understand that not everyone enjoys reading angry words from artists. This anger is rooted in a pervasive culture of devaluing artists' work, a problem that even occurs in the vaunted world of science. This anger is warranted, even if you feel blindsided by it. I've had my mind opened to societal problems by the anger of victims, so I'll maintain that muted civility is not the only tool we have to change an unsatisfactory status quo.

Regarding the deleted comment: I'd like to repeat here that I did not delete a single comment on this post. If I delete a comment, I will always provide an explanation. Any removed comments were either deleted by their original poster on purpose or by mistake, or by a Blogger glitch. If you had a comment removed by accident or glitch, I can easily email it to you. Just let me know! All comments are delivered to me by email, so there is record of them in their original form. Then you can repost it. If this seems to be a glitch that's happened repeatedly, I will report to Blogger (though I'm not optimistic that it will be fixed, thus my intention to move to WordPress).

Whoa, that update was longer then the original post! Anyhow, thanks for reading and contributing to the conversation in the comments.

Update: 4:10pm EST, December 4, 2016

Rodrigo Otero has written another comment below, please be sure to read it. Seems we have a good resolution here. Thanks for the comment, Rodrigo!

And yes, as Matt Martyniuk suggests in a comment below, Blogger's comment platform is garbage. I swear I'm intending a WordPress migration as soon as it's feasible.

Thursday, December 1, 2016

The 2016 Dinosaur Gift Guide

It's that time of year again, and once more your trusty paleo-bloggers of LITC are here to offer some very cool dinosaur gifts sure to satisfy the enthusiasts of Mesozoic megafauna in your life. As in years past, we will focus on products that look cool, reflect the modern state of paleoart, and come from independent artists and creators.

Taurus Dinosaur Zodiac © Les Valiant, used with the artist's permission.

Dinosaur zodiac! This adorable collection by comic artist Les Valiant on Redbubble is available as individual pieces in various formats, or as a poster of the entire set.

Tyrannosauroidea poster © Gabriel Ungueto, used with the artist's permission

Miami-based artist Gabriel Ungueto has been creating some lovely posters recently, for sale through Redbubble. Choose between Tyrannosauroidea and Dromaeosauridae, Ornithomimosaurs and Alvarezsaurs, or buy 'em all!

Tyrannosaurus Calligram © Scott Elyard, used with the artist's permission

The Alaskan creative duo of Scott Elyard and Raven Amos of Cubelight Graphics have some great new stuff this year. Check out Scott's fantastic dino skull calligraphics, including the tyrannosaur above.

"Aurora Ornatus" © Raven Amos, used with the artist's permission

I also love Raven's Aurora Ornatus, available as a sweet tee at NeatoShop. Who says southerners make the best sweet tees? Hardy har har.

Tyrannosaurus rex © Studio 252MYA/ Franz Anthony, available via Studio 252 MYA and used here with permission.

Studio 252mya is a new paleoart studio featuring an international team of artists. It's been built by the team who also created the sites Earth Archives and Pteros. There's a treasure trove of wonderful art to pick from. I love Franz Anthony's T. rex illustration above, and it sure makes a handsome iPhone case! Also available as a framed print, mug, and more. Be sure to browse their entire shop.

"Allosaurus v. The Extinction" © Natasha Alterici, used with the artist's permission

Artist Natasha Alterici runs a shop on Society 6, featuring her distinctive dinosaur art. I love her hellish Allosaurus v. The Extinction. Plus, all of her proceeds are being donated to the ACLU presently!

The cover of Witton's "Recreating an Age of Reptiles"

Mark Witton published Recreating an Age of Reptiles this year. Signed copies are available in his online shop (along with prints of his work). It costs just a bit more than the unsigned edition. "Rec-A-Rep" a must-have for anyone who cares about paleoart, and a wonderful demonstration of how art and science are inseparable in paleontology. To be further convinced, read our very own Marc Vincent's review from July.

"Spinosaurus" © Francesco Delrio, used with the artist's permission

One of my favorite illustrations of new-look Spinosaurus comes from Francesco Delrio, which manages to make the oddly proportioned beast look graceful. Available as a variety of print formats.

The cover of Naish and Barrett's "Dinosaurs: How They Lived and Evolved"

Darren Naish and Paul Barrett's Dinosaurs: How They Lived and Evolved. Marc reviewed the tome in October, and had high praise: "So, should you get it? Yeah, you should get it. It's essentially the perfect summation of 'where we're up to' with dinosaur science, allowing for differences in opinion and areas where More Research is Needed."

The Mill Canyon Dinosaur Tracksite © Brian Engh, used here with the artist's permission.

If you're looking for a stunning piece to stop people in their tracks, Brian Engh's beautful panorama of the Mill Canyon Dinosaur Tracksite should do the trick nicely. Additionally, you can support his work via Patreon, and get early access to an assortment of new originals he's auctioning off. The Patreon-specific auction lasts until December 11, at which point it will be opened to the general public, concluding on December 17.

Mammoth is Mopey by David & Jennie Orr

Finally, if you're new to LITC, you may not be aware of my children's book, Mammoth is Mopey, created with my wife Jennie and published in 2015. This year, we've got a big holiday sale on. Limited edition hardcover copies are only $10 through the end of the year, and as always each one comes with a complimentary ebook, which features an educational appendix that isn't in the print version.

That's a wrap for this year's guide! These are always fun to put together - I always find a new artist or two as I look for items to feature. Of course, many of the products featured in our previous gift guides would still make delightful gifts. So please do browse our 2015 and 2014 (parts one, two, and three) posts as well. Let's support independent creators, the people who bring the current paleontological golden age to vivid life!

Tuesday, November 22, 2016

Romancing the Tyrant: A review of "My Girlfriend is a T-Rex" Volume 1

I'm happy to bring Tommy Leung aboard today for this guest post! He'll be reviewing the comic My Girlfriend is a T-Rex. A bit about today's guest contributor:

Tommy Leung is a parasitologist / zoologist who writes a blog called Parasite of the Day where he writes about newly published research from the field of parasitology. He has also written about dinosaur parasites and parasites in the fossil record. Additionally he is an illustrator and you can see some of his work here. You can find him on Twitter @The_Episiarch.

Take it away, Tommy!

My Girlfriend is a T-Rex* is a comic / graphic novel series by artist Sanzo (さんぞう). It was originally published as an online webcomic under the title "T-REXな彼女 / T-Rex na Kanojo" and was later licensed for an English release by Seven Seas Entertainment. At its core, it is a tale of boy meets girl, but girl is a large carnivorous theropod dinosaur (sort of). While such a story would usually end rather quickly (and bloodily), in the case of My Girlfriend is a T-Rex, it turns into a tale of blossoming interspecific romance and funny dinosaurian hijinks.

The cover of Sanzo's "My Girlfriend is a T-rex."

In the world of My Girlfriend is a T-Rex, half-human-looking dinosaurs (imagine Centaurs or Mermaids, but with dinosaur bits in place of the horse or fish parts) live in our society, kind of like an urbanite monster girls / boys version of Dinotopia. The explanation for why the dinosaurs look the way that they do was that they had evolved to look more attractive to humans in order to survive in the modern world (a case of evolutionary mimicry?). It is an extremely silly premise, but this series makes no pretence at being anything more than a (largely) slapstick comedy featuring dinosaur monster girls / boys, and it often pokes fun at its own absurdity.

The two main characters of this series are (seemingly) ordinary college student Yuuma Asahikawa who, while taking out the trash late one night, encountered Churio, a female Tyrannosaurus rex who was riffling through the garbage. Despite the best effort of Churio to try and convince him that she is a big scary dinosaur, Yuuma looked past her sharp claws and scaly skin, and fell for her tyrannosaurian charm. Since this fateful encounter, Churio gradually made a switch from scavenging on the streets and sleeping in an abandoned factory, to becoming a somewhat more functional member of society.

The design of the dinosaurian characters in this series places it firmly within the “monster girl / people” subgenre along the likes of A Centaur’s Life, Merman in my Tub, and the very popular Everyday Life With Monster Girls / Monster Musume in featuring half-monster half-human characters in the main cast. Given My Girlfriend is a T-Rex seems like just another comic amidst many released in recent years that features the monster people gimmick, does it have what it takes to distinguish itself from the rest of the monster mash?

There are two main reasons that My Girlfriend is a T-Rex may appeal to a slightly different audience than the usual crowd who would be interested in such monster girl titles. First of all, whereas most other monster girl / people series have mainly featured mythological beings such as centaurs, merfolks, and lamia, My Girlfriend is a T-Rex is unique (as far as I am aware) in having dinosaur-based monster girls in such a slice-of-life setting (if you don’t count Bird Cafe! I guess…) - this alone may pique the interest of Palaeontology / Dinosaur Fans, which I’m guessing includes many readers of this blog. Secondly, it seems largely free of the kind of sexually suggestive (“ecchi”) content found throughout some monster girl titles such as Monster Musume, so My Girlfriend is a T-Rex may be more accessible to readers who find the more risqué aspects of Monster Musume to be off-putting.

Being the titular dinosaur of the series, most of the humour in this comic derives from Churio's antics as she attempts to adapt to modern society and all its trappings. A fair share of the jokes revolve around Churio not fully understanding her own strength as a tyrannosaur, or her instinctive responses to the situations that she finds herself in - which often comes across as being like a mix between a stray puppy and Godzilla. It is worth pointing out that unlike Churio, most of the other dinosaur / pterosaur characters in My Girlfriend is a T-Rex seem to have fully integrated with human society; they have jobs, pay bills, and live generally normal lives, and the human characters in this world seem to take that as a given. So Churio seems to be just a feral outlier.

Aside from Churio’s shenanigans, some of jokes in this series are references or parodies of dinosaurs (at least as they are perceived by the general public) and various dinosaur-based media. For example, those with a keen eye will spot a very obvious reference to Jurassic Park during a conversation between Churio and her friend, Torika, who is some sort of Velociraptor. Also the personalities of the dinosaur characters usually reflect the common popular perception of the dinosaur species that they are based upon. With that said, there are some moments where the character interactions move beyond “Archetype X based upon dinosaur species X” which give those characters a bit more depth.

While the main focus is on Churio and her interactions with Yuuma, there is also a cast of both human and dinosaur / pterosaur supporting characters who get their share of story. One noteworthy side character is Kram - a socially awkward ankylosaur who has difficulty communicating with people and conveying her emotions. Also, her best intentions are often thwarted by her own heavily armoured body. Kram’s more introverted and introspective personality acts a nice contrast to Churio’s blunt and impulsive temperament, and I hope we will see more of her in the next volume since she has appeared only in one chapter so far.

On a side note, the translation assumes that the reader has some familiarity with Japanese honorifics such as kōhai (underclassman / junior) and oniichan (“big / older brother”). While such words are familiar enough to regular manga readers or anime viewers, it might take a bit of getting used to for those who have not been exposed to such material. But, it should not be too difficult to work out what their English equivalents might be given their context.

My final verdict? My Girlfriend is a T-Rex might be one of the more accessible monster girl titles available as it avoids some of the tropes of that subgenre which people may find off-putting. While the humour in this series isn’t all that sophisticated, it works and I found it to be a really fun read. You should definitely check it out if you like the idea of a light-hearted, fish-out-of-water (or tyrannosaur out of Cretaceous?) slice-of-life comedy with a dinosaurian twist. Or if you are curious about the monster girl subgenre, but find Monster Musume too lewd or A Centaur’s Life a bit too weird, you might want to give this one a go instead, and spend an afternoon with some cute dinosaurian monster girls.

Overall score: 75/100

*Yes, I know the proper way to abbreviate Tyrannosaurus rex is T. rex - but that is the series’ official title.

Monday, November 21, 2016

Vintage Dinosaur Art: Dinosaurs of the Southwest - Part 2

Following my previous post on the dinosaurs featured in the McLoughlin-illustrated 1970s quirk-fest Dinosaurs of the Southwest, I received, oh, at good handful of requests to follow up with a post on the book's otherprehistoricanimals. So here they are, starting with the only pterosaur that ever seems to matter, Pteranodon! But what's going on with that neck?